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    The town hall was a squat building of white stone at the corner of the central square. Two guards flanked its entrance. One leaned against the doorframe with his arms crossed. The other was picking at something beneath his fingernail with intense concentration.

    Inside, the building was busier than I’d expected.

    A dozen people moved through a ground floor partitioned by low wooden dividers and cluttered desks. Some hunched over ledgers, comparing columns of figures while muttering to themselves. Others shuffled between stations carrying bundles of paper, passing documents from hand to hand in a chain that looked chaotic.

    The air smelled of ink and old parchment.

    I made my way to the main counter.

    Behind it, a young woman was doing the work of three people.

    She moved with the frantic, caffeinated energy of someone who had stopped distinguishing between “urgent” and “everything.” Papers flew from her hands to a sorting tray, from the tray to a stack, from the stack into a leather satchel. Between each transfer she spoke rapidly toward a small crystal mounted on a brass stand at the corner of her desk.

    The crystal pulsed with faint light each time she addressed it.

    “Seventeen crates medical-grade, not civilian, I said medical-grade. Requisition forty-two-B explicitly states battlefield allocation for the southern front. If Logistics tries to reroute it again I will personally…”

    She paused.

    Drew breath.

    “Yes. Confirmed. Priority transport. End.”

    The crystal dimmed. She grabbed the next paper.

    It took her a solid five seconds to notice me standing at the counter.

    Her eyes flicked up irritated, already calculating how quickly she could deal with whatever I wanted and return to the pile.

    “I’m looking for the library,” I said. “Or wherever you keep books.”

    She stared at me.

    It was the kind of stare that said ‘I am currently coordinating wartime supply logistics and you are asking me about books.’

    A one of a kind type of stare.

    She didn’t ask my name. Didn’t ask for identification. Didn’t do anything except lift one arm and point toward a door set into the wall to her left.

    “Through there,” she said.

    She was already reaching for the next document, her attention dismissing me as completely as if I’d evaporated.

    I shrugged. Too busy to care who I was. That suited me fine.

     


     

    The room beyond the door was small.

    Even smaller than I expected. A single window looked out onto the street, its glass thick and slightly warped. Two narrow shelving units stood against opposite walls, their planks sagging under the weight of perhaps forty or fifty books total.

    That was it.

    No reading tables, chairs or librarian.

    Just a cramped, quiet room with bad light and a modest collection that a real library would have been ashamed of.

    It’s perfect.

    Isolated and private. Exactly what I needed.

    I closed the door behind me and pulled a low stool from beneath the window.

    For a moment I just stared at the shelves. Then reached for the first book.

    The cover was plain leather. No illustration. Just text stamped into the hide.

    I held it in my hands and looked at the title.

    My eyes moved over each symbol slowly, painfully, the way a child sounds out letters for the first time. Every fragment of what Iris had taught me in the loops, the pronunciation, the letter-shapes, the way certain combinations changed their sound, all of it surfaced.

    Most of the symbols still meant nothing.

    But not all of them.

    I could pick out a word here. A syllable there. The shape of a letter I recognized connected to its sound, and from the sound I groped toward meaning.

    It was like trying to read through frosted glass. I could see shadows of words. Outlines of sentences. The architecture of language without the detail.

    I set the book down and picked up another.

    This one had a simpler cover. I traced the first word with my finger.

    My lips moved silently, shaping sounds.

    The second word came faster.

    The third faster still.

    Something was happening.

    It wasn’t normal. I could tell that. Learning to read a foreign language from scratch, with a few scattered lessons from a soldier in a cave, should not have produced this. Not in hours. Not even in days.

    Yet the more I pushed, the more the resistance melted.

    Each letter I recognized seemed to unlock three more. Each word I decoded pulled its neighbors into focus. The process wasn’t linear. It was exponential, as if something inside me was consuming the knowledge the way fire consumed kindling, each scrap of fuel making the flame hotter, the flame making the next scrap catch faster.

    My eyes moved over a full sentence.

    I understood it.

    Not every word. But the shape of the meaning came through, and where individual words failed me, context filled the gap.

    My hands started to shake.

    From hunger.

    Not the stomach kind. A deeper one. The Gluttony. The curse that devoured everything it touched.

    It was eating this too.

    I could feel it behind my eyes, a pressure like a headache that wasn’t quite pain. Something pulling at the text on the page, absorbing it, breaking it down, converting it into something my mind could use.

    I grabbed the next book.

    My fingers turned pages with increasing speed. Each one came easier. The frosted glass was clearing, the shadows sharpening into shapes, the shapes into words, the words into sentences I could read without sounding them out.

     


     

    [Sin of Gluttony — Hunger Sated]

    [New Skill Obtained]

    [Reading — Level 1]

     


     

    While I was focused on the text, the notification appeared.

    It materialized in my field of vision.

    The blue box lingered for a heartbeat, then dissolved.

    I blinked.

    My eyes dropped back to the page in front of me.

    The words were there.

    Not blurred shadows half-assembled from fragments.

    Words.

    I could read them. The simpler ones landed instantly. The harder ones, the longer constructions, the formal or archaic phrasing, those still required effort. A pause. A second pass. A moment of concentration before the meaning clicked into place.

    But I could read.

    I sat still, the book open on my knees, and let the understanding wash over me.

    The Sin of Gluttony.

    I was starting to see how it worked.

    It wasn’t random. It wasn’t automatic. The curse didn’t simply hand me abilities. It demanded something first.


    Support the author by searching for the original publication of this novel.

    Effort. Time. Desire.

    All three had to be present, had to be genuine, had to be pushed past some invisible threshold before the Gluttony would engage.

    I’d wanted to read. Desperately. I’d spent hours with Iris in the loops, struggling with sounds and letters. I’d carried that accumulated effort forward through deaths and resets, and today I’d thrown myself at the shelves with every scrap of will I had left.

    Once all three conditions were met, the curse consumed.

    It ate the gap between ignorance and understanding. My mind absorbed the written language the way my cores absorbed mana: endlessly, hungrily, converting raw input into something it could keep.

    The implications branched.

    This wasn’t limited to reading. Swordsmanship had followed the same pattern. A thousand swings, driven by desperation and repetition, until the system had given me a level. Toxicity resistance, earned by bathing in acid and surviving long enough for the curse to notice. Fear resistance, forged through deaths that would have broken a lesser will.

    Physical or mental. Skill or knowledge. The Gluttony didn’t discriminate.

    It consumed everything.

    But the limits weren’t clear.

    How much effort was enough? How long did the process take? Was there a ceiling? Could the curse consume anything, given sufficient time and desire? Or were there categories it couldn’t touch, walls it couldn’t eat through?

    I didn’t know.

    Not yet.

    I set down the book and surveyed the shelves with fresh eyes.

    Titles I couldn’t have read ten minutes ago now presented themselves in clear language.

    My fingers found a thick spine near the bottom of the left shelf. I pulled it free and read the cover.

    Economy and History of Silberwald.

    I turned it over. Dense text. Small print. Footnotes.

    Nope.

    It was the kind of book who assumed their reader already knew what Silberwald was, where it was, and why its economy mattered.

    I shook my head and slid it back.

    Too advanced. I needed foundations, not details.

    The next book was slimmer. Its spine cracked when I opened it.

    History of Magic.

    Interesting. Potentially crucial. But when I flipped to the first page, it changed my mind. The sentences were longer, the vocabulary specialized, the structure formal in a way that made my newly acquired Reading skill strain.

    I could parse it, but slowly. Each paragraph required multiple passes. It would take hours to extract meaningful information, and hours were precisely what I didn’t have.

    I returned it to the shelf.

    My hand hovered over the remaining options, fingers trailing across spines, until they stopped on a book that was noticeably different from the rest.

    Thinner. Wider. Its cover was not the serious leather of academic texts but something softer, almost cloth-like, dyed a faded blue. The edges were rounded from handling.

    The title was written in large, simple letters.

    Humans and the Eleven Sins.

    The name was unusual. But the cover was illustrated.

    A crude drawing adorned the front. Stylized figures, tiny kingdoms, a sun with a face. The kind of art found in children’s books.

    I glanced toward the closed door, as if someone might catch me.

    I opened the first page.

     


     

    The text was written in the simplest language I’d encountered in this world. Each page paired with an illustration that depicted the events described, painted in broad strokes of color that had faded with time.

    The story began the way all fairy tales begin.

    Long ago, in a time before memory, humans lived in peace.

    The illustration showed a world I recognized.

    Green. Vast. Rolling landscapes under open skies. Cities that sprawled across continents. Ships that crossed blue oceans. The artist had drawn these things with the innocent certainty of someone illustrating paradise.

    Highways. Skyscrapers. Bridges.

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