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    The courtyard was quiet. A breeze moved through the gap between the buildings, carrying the faint smell of cut grass from the quadrangle beyond. Florence stood on the flagstones outside the Merton Building and looked at her satchel.

    The satchel looked back. It sat against her hip the way it always did—leather and canvas, buckle and strap, the shape of everything she owned in Dunwick minus the things that mattered.

    The door of the Dunkeld Building opened.

    Lucia emerged with her arms empty, the stack of books successfully deposited wherever books went to be useful. She adjusted her spectacles and started across the courtyard, her stride small and precise. She saw Florence. She slowed.

    “How did it go?”

    Florence opened her mouth.

    Lucia studied her for a moment. The study was brief—a single, quiet sweep of Florence’s face—and whatever she found there was apparently sufficient.

    “You didn’t have your money on you,” Lucia said.

    Florence stared at her. “How did you—”

    “You made it past the gate, so your papers are in order. You were inside long enough to have started the fitting. And you’re standing in the courtyard looking at your bag as though it did something unforgivable.” Lucia’s tone was even, unhurried. Simply reading what was written. “There aren’t many explanations that fit.”

    Florence let out a breath. It came out harder than she intended, more huff than sigh, and she pressed the heel of her hand against her forehead.

    “All of it,” she said. “Every penny. My brother gave it to me yesterday for the week. Five Crowns and change. It’s just gone.”

    She heard herself say it and the words sounded wrong—too small, too simple for what they actually meant. Five Crowns. It was a number. It was also something her brother had trusted her with.

    “Could you retrace?” Lucia asked. “Think through where you’ve been.”

    Florence tried. She lined the morning up in her head like beads on a string. Baker Street. The door. Shoulders bumping hers in the crowd—she had heard the coins clink through the canvas, had checked the buckle more than once. But then the bench. The newspaper. Twenty minutes, maybe longer, sitting in one place with the satchel on her lap and the flap unbuckled while she read about Thomas and the spectre and the Saintess of the Swan with tears in her eyes and the attention span of a woman watching her own life get printed in a stranger’s handwriting.

    Then the inspectors. She had stood on the Greybridge talking to Calloway and Whitford for several minutes. She had opened the satchel in front of them. She had taken out the pass, shown it, put it back. Had the mage been there? In the crowd on the bridge, watching the D.A.A. uniforms draw a target’s attention, waiting for the moment the satchel was open and the girl’s focus was elsewhere?

    She had pressed her palm against the side of the bag when Calloway asked if anything felt different. The weight had been right. She would have sworn it.

    But the weight had been right at the fittings office, too, until she reached inside and found nothing.

    “I don’t know when it happened,” Florence said. Her voice was quieter now. “I checked. I kept checking, all morning. The bag felt normal. The weight was there, and then it wasn’t, and I can’t find the moment it changed.”

    Lucia was quiet for a beat. She stood with her hands clasped in front of her, her posture still, and Florence had the impression of someone listening with more than their ears.

    “There were two Inspectors on the Greybridge,” Florence said. “They told me someone’s been using magic to steal from people in the area.”

    Lucia was quiet for a moment. She adjusted her spectacles.

    “Then it’s best to leave it with the Inspectors,” she said. “If a mage is responsible, they have the tools and the authority. You don’t. Searching the streets yourself would cost you the afternoon and likely nothing else.” She paused, her tone unchanged but something gentler settling beneath it. “Rest, if you can. Your brother seems like a good person, from what the papers describe. I expect he’ll understand.”

    “He will,” Florence said. That was the problem. “He’ll understand completely. He won’t be angry. He’ll just give me more.” She pressed her thumb against the satchel strap, working it back and forth across the leather. “He already thinks I lost my acceptance letter out of carelessness. I didn’t—it was destroyed in a—it doesn’t matter. He thinks I lost it… And now this.”

    She stopped herself. She was aware that she was standing in a courtyard with a girl she had met fifteen minutes ago, unloading the specific anxieties of being Thomas Bannerman’s younger sister, and that this was neither appropriate nor useful. She straightened.

    “I’ll sort it out,” she said. “I’m sorry. You don’t need to hear all this.”

    “You haven’t said anything unreasonable.” Lucia adjusted her spectacles. She was quiet for a moment, and when she spoke again her voice had shifted—not warmer, exactly, but closer. The distance between observation and advice. “When I’m carrying something I can’t put down, I go to the Cathedral. St. Silas.”

    Florence looked at her.

    “There’s a Consecrated artifact within the building,” Lucia continued. “It’s documented in several of the early ecclesiastical texts—Aldhelm references it in his Inventory of Sacred Objects, and there’s a passage in the Vicar-General’s correspondence from the Third Convocation that describes its restorative effects on both mana reserves and physical fatigue. The theology faculty covers it in the second-year survey course, though they’re frustratingly vague on the specifics. No one outside the high-ranking clergy has ever been told what the artifact actually looks like, or where precisely in the building it’s kept—there are theories, of course, most of them unconvincing, but the effect itself is well-attested across multiple independent sources spanning—”

    She stopped.

    The halt was precise, like a tap being closed. She blinked once, adjusted her spectacles a second time—a gesture Florence was beginning to recognise as the physical punctuation mark Lucia used when she caught herself—and folded her hands back together.

    “I’m told it’s a good place to sit,” she finished, considerably more simply.

    Florence almost smiled. It was a near thing—the corner of her mouth lifting for a fraction of a second before the weight in her chest pulled it back down. But the impulse had been there, and that counted for something.

    “I’ve been,” Florence said.

    “Then you know the way.”

    They stood in the courtyard for a moment. The breeze moved between the buildings. Somewhere on the far side of the campus, a clock chimed the quarter hour.

    “Thank you, Lucia,” Florence said. “For the advice,”

    Lucia gave her a small nod. The same precise, economical motion from before.

    “May eternity be with you,” Florence said.

    Lucia raised a hand—a brief, unhurried wave, palm open, fingers together—and turned back toward the Dunkeld Building. She moved the way she spoke—without waste, without hurry, each step placed with the quiet certainty of someone who knew where the path went before her foot came down. She reached the entrance and disappeared inside without looking back.


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    Florence stood alone in the courtyard.

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